Zeng’s “The Last Supper” sets record price for an Asian art work at Sotheby’s
“The Last Supper” by Chinese artist Zeng Fanzhi broke auction records this month when it sold for US$23.3 million at Sotheby’s Hong Kong. >> Read more
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“In Extremis ”
Zhao Zhao
Tang Contemporary Art Beijing Space I
Tang Contemporary Art is proud to announce the opening of Zhao Zhao’s solo exhibition “In Extremis” on July 14, 2018，in the first space of Beijing. This exhibition is curated by Cui Cancan. >> Read more
Northern Land, Southern Seas
Tang Contemporary Art is proud to unveil its new Bangkok gallery. The inaugural exhibition, “Northern Land, Southern Seas,” will bring together the work of more than a dozen contemporary art heavyweights from China and Southeast Asia.
>> Read more
A History of Exhibitions: Shanghai 1979-2006 Book launch with artists’ conversations
Editor of the Book History of Exhibitions: Shanghai 1979-2006, Biljana Ćirić will be in conversation with Zhang Jianjun and Shi Yong for the book launch reflecting of artists organized exhibitions in Shanghai.
>> Read more
Hurun Reports Significant Bluechip Downturn
Released on March 26, the “Hurun Most Successful Chinese Artists Alive Today 2014” report named three contemporary artists out of a top ten. >> Read more
Re-discovering Zeng Fanzhi in Paris
He taps into a common sense of isolation which surpasses the boundaries of nations, culture, language, and ethnicity. The artist creates a window into the current state of Chinese society, and in some ways even affirms many Western preconceptions about China. >> Read more
…Do Not Take It, Do Not Eat It, This Is Not My Body…
Curated by Susanne Junker [Press Release] For over two thousand years, many artists have been inspired by The Last Supper, Christ’s last meal during which the son of God delivered his testament. There are thirteen people at the table, as if in a perfectly staged play. With ” …Do Not Take It, Do Not Eat […] >> Read more
Why Care about the Shanghai Biennale?
How a Shanghai institution helped legalize avant-garde art practice. >> Read more
A Sense of Mystery: Zeng Fanzhi, the Gagosian Gallery, and Strategies of Display of Contemporary Chinese Art
Since the 1990s, Zeng Fanzhi’s art has been an exploration of different styles, borrowing techniques from Western masters and movements such as Francis Bacon and German Expressionism, all in the quest to find his own voice. >> Read more
Notes on 2013—the Beijing Slant
The passing twelve months have seen the greater Chinese scene piqued by scandal, pressure and anti-climax and sprinkled only lightly, it seemed, with really effective art. 2013 felt like a tense and ambivalent year. >> Read more
